|
|||
Updated August 2024 |
Harp Guitar Tunings | Harp Guitar TAB | Harp Guitarist Lost & Found Dept. |
All contents by Gregg Miner, unless
otherwise noted
Contributors to this
page: Frank Doucette
Disclaimer: Harpguitars.net is not affiliated with, nor endorses the music of, nor necessarily shares the philosophical, political or religious views of any of the artists on this page.
WANTED: VOLUNTEER WRITERS, EDITORS & CONTRIBUTORS
Featured Harp Guitar Player America’s
Harp Guitar Playing Evangelist Preacher Southern Gospel Singers |
This page debuted in 2004 with less than 20 bona fide harp guitarists. At this point, there are several hundred harp guitar players at all levels out there. This page includes those who perform with a harp guitar regularly, or, at minimum, have recorded with some form of harp guitar more than a single time. These players include full-time harp guitar-exclusive players, full-time musicians who utilize harp guitar for a small to large part of their material, and various part-time players (who may or not play the instrument exclusively). The majority of these musicians play the most recognizable basic form of harp guitar – one which contains sub-bass "harp" strings to the left of the standard neck. An increasingly common form adds "super-treble" harp strings on the opposite side of the neck, while other experimenters may add additional banks of strings. Inclusion on this page - a growing index of players of the instrument - requires that these players all actually utilize (i.e. play, by distinct, individual plucking during its use) the various harp strings of their instruments. The Music page includes albums by additional amateur and professional musicians who have recorded at least one track on a harp guitar. We first highlight players of all
styles who have become most visible through the annual
Harp Guitar Gatherings.
Players of contemporary music are listed next, followed by players of
historical music, then kontragitarre
players, a melancholy In Memorium
section, then a final link to historical harp
guitarists. |
Players of the Harp Guitar Gatherings |
Contemporary
Music Harp Guitar Players |
In
the rapidly-growing world of harp guitar it has become all but
impossible to keep track of all the new players and the extent of
their activities.
Therefore, the Players list below makes no determination or
distinction between which are professionals, amateurs or in-between;
full- or part-time; nor to what extent harp guitar is used or
showcased. Some of these performers may be brand new
up-and-coming stars while others have already retired from the
instrument. |
Brin
Addison |
|
Jimmy Galloway |
|
Joe Myers |
Historical Music Harp Guitar Players |
In Memoriam |
Michael
Hedges Michael Hedges is a name well known among harp guitar aficionados. The 1986 release of his composition "Because It’s There" can be credited with reawakening a great deal of interest in an instrument that had become little more than a pawn shop curiosity. Michael is also known for changing the way people play the guitar. He pioneered the use of slapped harmonics, percussive use of the guitar body, and 2-handed tapping techniques. He was always searching for new sounds with his 6-strings, his harp guitars, an even a few instruments without strings. Michael used Dyer harp guitars, a Knutsen and a custom made Klein electric harp guitar. Tragically, Michael was killed in a car accident in 1997. -FD |
|||||
Dennis
Cinelli The late Dennis Cinelli was inspired to pick up the guitar after hearing Jimi Hendrix. His direction changed to jazz after hearing players such as Charlie Christian and Django Reinhardt. He worked as a jazz musician for some years before performances by Andres Segovia and Julian Bream signaled another change of direction. Dennis was known as a top notch classical guitarist, mandolinist, and lutenist, and an expert in the history of the lute and early guitar. He was a consultant for, and endorsee of, La Bella strings. Since 1989, he was on the faculty of Montclair State University in New Jersey. He performed and recorded with a copy of an 1856 Scherzer guitar with 4 sub-bass strings. He left, too soon, at the peak of a very successful career in classical music performance and education.-FD, GM |
|||||
Tom Shinness was born into a musical family. His father and older siblings would often play Dixieland music around the house. Tom’s father’s multi-instrumental talents proved to be a primary influence. Tom received his first 6-string guitar, and formed his first band, in the third grade. He took up the cello in fifth grade, played drums and bass in school bands by 7th grade, received a school award as outstanding vocalist in 9th grade, and developed an original piano style in high school. Tom continued to add new instruments to his arsenal to satisfy his insatiable desire for new sounds. He developed a particular fondness for, and skill with, the 1913 Gibson harp guitar highlighted on "Translucent Harp," one of his many recordings that showcased original instrumental music with jazz, folk, pop and ambient elements. Tom was one of the earliest and through the years, most popular, Harp Guitar Gathering Performers.-FD, GM |
|||||
Hirokatsu
Takai (also known as TakainoMoheji) had a real can do attitude.
With a broken collarbone and little knowledge of the English language
(except for the lyrics to all Beatles’ songs), Hiro left his native
Japan to join us as a special guest at the 7th Harp Guitar Gathering.
The connection came to be when Hiro entered and won a Japanese guitar
competition where Stephen Bennett was a guest judge. The
instrument Hiro used then was also a testament to his spirit. It
began life as a double-neck Alvarez acoustic guitar. He attached
a small koto to the top of the 12-string neck to create a
one-of-a-kind koto harp guitar. Due to his irrepressible good
humor and musicality, Hiro was also a featured guest at the 10th
and 15th Harp Guitar Gatherings. At the latter, he debuted his
new 36-string
instrument (6 guitar, 7 fretless bass, 12 koto, and 11 super-trebles),
made by Benoit Meulle-Stef, that he dubbed King Gidorah. The entire
harp guitar community mourns his loss. -FD/ See: Gregg's Blogg: Hiro Takai, Rest In Peace
|
|||||
I have also done Blogs on other performers who occasionally dabbled with harp guitar that deserve to be remembered: | |||||
If you enjoyed this article, or found it
useful for research, please consider making a donation to The
Harp Guitar Foundation, |
|
All Site Contents Copyright © Gregg Miner,2004-2023. All Rights Reserved. Copyright and Fair Use of material and use of images: See Copyright and Fair Use policy. |