It has been extremely rewarding to finally get to the bottom of this one! Part of Harpguitars.net since inception (in the Composite Forms Gallery) and examined personally by Benoit-Meulle-Stef and yours truly in 2016, it nevertheless eluded more detailed provenance until very recently. Click on the image below for the brand new 18-page PDF article!
About The Author
Gregg Miner
Creator and Editor of Harpguitars.net Gregg Miner has been fascinated by harp guitars since the early 1970s. He purchased his first instrument (a 1916 red sunburst Gibson) in 1983, then fell in love with the harp guitars of Chris Knutsen when he found his first one in 1988. He collects harp guitars, researches harp guitars, writes about harp guitars, plays harp guitars, produces harp guitar CDs, buys and sells harp guitars, and currently runs Harpguitars.net, Harp Guitar Music and the Harp Guitar Foundation. You would think that by now he would be sick of harp guitars, but he is not.
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A fascinating article, and also the one of 2016!
My article, “Les cuivres de la maison Louis et Münchs – et une attribution” in Larigot (Bulletin de l’Association des Collectionneurs d’instruments à Vent, no. 68, October 2021) tells the story of the partnership 1831-35 between Chevalier Louis Christien Louis (Christien-Louis Louis) and Conrad Michel Münchs as musical instrument retailers and publishers, with details of their military careers, and alludes (only briefly) to their collaboration with Charpentier on his invention of the guitare multicorde.
Münchs and Charpentier (1821-25) were colleagues as military band musicians in the 6th regiment of the garde royale in 1823, as witness the title page of their composition: “Bouquet Militaire” of January that year, in which Charpentier is lyricist and arranger.
Information on Charpentier’s given names was sent to me by M. Raymond Lapie: “François Marie Bélonie” /”François Marie” / “Marie François”, and occupations as: “musicien gagiste”, “ténor”, “tromboniste”.
With kind regards,
Martin Prowse